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(1859-1937)
 
(1859-1937)
  
Tade Hartsuff is a persona familiar to those who have visited Fraternity Headquarters, for her life-sized, full-length aquarelle portrait hangs in the main hall, revealing a woman of stately beauty, with warmth in her smile.  
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Tade Hartsuff is a persona familiar to those who have visited Fraternity Headquarters, for her life-sized, full-length aquarelle portrait hangs in the mail hall, revealing a woman of stately beauty, with warmth in her smile.  
  
 
At the 1881 Convention, years before the portrait was painted, Tade Hartsuff was an eager, vivacious, black-eyed collegian, her dark curly hair pulled into long ringlets that fell down her back. Changing the Fraternity’s Bylaws to a Grand Council form of government wasn’t the only revolutionary idea Tade put forth as Mu delegate in 1881. The first business recorded in the Convention minutes concerns the founding of a Fraternity publication, a proposal that originated with a committee Tade chaired. In adopting the idea, Kappa Kappa Gamma became the first women’s fraternity to publish a magazine. As Minnetta Taylor, DePauw, wrote of the 1881 Convention in the first issue of The Golden Key, “Miss Hartsuff and I found a common sympathy. She was a red-hot radical, or rather improver, and I was a white-hot one. We both believed with all our hearts and minds and souls in the new woman and her future.”
 
At the 1881 Convention, years before the portrait was painted, Tade Hartsuff was an eager, vivacious, black-eyed collegian, her dark curly hair pulled into long ringlets that fell down her back. Changing the Fraternity’s Bylaws to a Grand Council form of government wasn’t the only revolutionary idea Tade put forth as Mu delegate in 1881. The first business recorded in the Convention minutes concerns the founding of a Fraternity publication, a proposal that originated with a committee Tade chaired. In adopting the idea, Kappa Kappa Gamma became the first women’s fraternity to publish a magazine. As Minnetta Taylor, DePauw, wrote of the 1881 Convention in the first issue of The Golden Key, “Miss Hartsuff and I found a common sympathy. She was a red-hot radical, or rather improver, and I was a white-hot one. We both believed with all our hearts and minds and souls in the new woman and her future.”

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